The Cat Who Ate Too Much

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After a month-long break from my first draft of Yellow Tails, I took it out from the closet where I had hidden it and started reading the whole thing.

Now, I would like to share with you a few notions about reading a fictitious draft that was born under a longer-than-usual time period:

  1. When I began writing Yellow Tails, I hadn’t written any fiction in many years, except for the drafts I wrote during NaNoWriMo (successfully in 2016 and not so successfully during 2015 and 2014). I had only written essays and my Bachelor’s thesis, some random journal entries and that was all. And you know what? When a person then suddenly decides to start writing her first draft… well, the lack of practice in creative writing shows. The first 30–40 pages were awful. I literally had to take a break from the whole thing and do something else for a few hours to be able to continue reading it. I don’t know what I was expecting but certainly not that kind of reaction… However, as I kept reading I did realize something positive which leads me to point number 2.
  2. Write daily is a common advice given to many writers. For some it works, for some it doesn’t, but for me it definitely works. The effects of writing almost daily for ten months are only positive: not only has it improved my writing skills, but my endurance and ability to focus as well. So, after the first shock, I actually enjoyed many aspects of the story. I even had fun reading it (which is a positive sign, telling that I still like what I’ve written)!

However, what I’ve written requires a great deal of revising as I didn’t plan all that much during the writing process. But the good news is that despite the pantsing, my story seems to follow a story line and has a structure. To me it means Yellow Tails isn’t hopeless at all! Quite the contrary, it even seems to have potential!

At the moment, I’m reading a book about writing (general advice when it comes to structuring and what to think of when executing the different story arcs) and after I’m done with the book, I’ll start making the required changes to the structure and focus on the things that need improvement. We will see where the editing process takes me.

But what I know is that I’m really looking forward to getting started and make the story better than good.

Tell The Tail

I thought I could share a few things about the story itself. I believe it might help you, the reader, understand better what I’ll be talking about here from time to time, if you know what the story is about. I also think sharing something about the story helps me think of Yellow Tails as an actual book, something that’s becoming a real thing.

So, what is Yellow Tails about?

In short, it’s the personal development story of an overweight cat called Jello.

A bit longer version would be something like this:

Jello is a big, yellow, overweight cat who loves to spend his days organizing fondue parties to his little friends. However, when his longtime but long gone childhood friend suddenly returns to his life, Jello needs to figure out who he’s turned into and what he really wants with his life.

It is said that a novelist’s first book tends to be personal. Well, Yellow Tails certainly is that. The idea was born during a cycling session at the gym as I pictured in my mind Fit Diva stealing the cheese meant for Jello’s fondue parties and Jello getting all upset about it.

After that, I was unable to let go of the story setting and the characters. I had to write about them – and that is how Yellow Tails was born.

What The Story Is And Isn’t About

Yellow Tails is not a romantic story (but it does talk about love for food).

Although Jello is an overweight cat, the story doesn’t include dieting tips or exercise programs.

Neither does it contain any large-scale car-chase kind of action scenes. However, I can promise some wild fondue-partying. I find the mood of the story to be quite peaceful although there’s something happening all the time.

Yellow Tails has only three characters and takes place in one house, mainly inside the four walls and the round entrance hall. Some visits are made into the outside world.

Ultimately, it’s a story about change and what making a change entails for the mind, the body and the willpower. It’s also about how a change affects many more things than we primarily think it does.

***

So long, my friends and readers! Have an energetic Thursday!

Still Life Sunday: The Grand Production

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24 The Grand Production

Hotels are like grand theatre productions. You have the life on this side of the curtain, the one visible to the audience, and the other side behind the curtain, where the magic happens. But the magic cannot be seen during the daytime buzz. If you want to see it, you need to opt your timing.

And when is that?

It’s when you wake up at six in the morning to go to the gym for your morning workout or to take a dip in the cold sea, the first rays of sun warming your shivering skin. That is the time when you have the best chance to have a look behind the curtain.

This is what you could see:

In the stairs, you meet a beautiful latino woman who works as a cleaner at the hotel. As she wishes you good morning, you notice her beautiful (she is like a secret talent of the theatre but works as a side character, yet to be discovered).

In the long corridors, you see the cleaning lady, forehead heavy with wrinkles. She’s focused on vacuuming and you do not get her attention (she would be the grumpy caretaker of the theatre, better to watch out for her).

In the reception, two men: one of them has been up all night managing the desk and the other one has come early this morning to take over the shift. Both sip their coffee and chat idly, trying to keep themselves awake (they are two actors from the cast, tired from rehearsals).

And then there is the busybody – a man who seems to be all over the place, organizing the flower setting or straightening up piles of plates and cups that are waiting for the conference guests of the day (he’s the director’s right hand, obviously).

This is something you get to witness at six or seven in the morning. The curtains are still open, the set still somewhat chaotic, the staff running around fixing small details. But when the clock shows eight and most of the hotel room guests wake up to enjoy their breakfast buffet, the curtains close and the magic of it all is left behind the velvet.

The grand show is on.

The cleaners disappear as their shift is over. The tired night receptionist gets to go home for a good morning sleep. The busybody has finished all the tasks that require running around and can take a break, disappearing somewhere behind the curtain.

All the workers seem to improve their posture, build up a friendly smile that never leaves their faces when they work, ready for a new day at the Grand Hotel.

For the guests who make their first appearance of the day at eight, the Hotel is simply like on this side of the curtain – they would never guess the hustle and bustle that happens behind it.

But the early birds who take a morning dip in the sea, a relaxing moment in the sauna or a refreshing walk outside on the grounds – they get to see the production process of the Grand Show: the hustling of making everything seem perfect, the power structures behind the roles, all of the magic.

Most people only come to enjoy the show. But for those who are curious to know how the magic works, what happens behind the curtain… they can see it – if their timing is right.

On the Importance of Reading

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When I was little, books were my go-to whenever I had time. It was the life before smartphones, before screens were used to communicate, see, read and like. Instead, the minutes and hours were used to doing other things, and I loved to spend my time in the world of fiction.

To demonstrate this, I have an excellent example from my childhood that describes my love for reading:

In the end of third grade, everyone in our class were instructed to guess how many books they would read during the Summer. Our teacher wrote everyone’s guess down, saying that she would check with us in the Fall how many books we actually had read and compare it to our guess.

While others guessed something between two and ten books (no one was allowed to say ’none’ or ’one’), I estimated in a clear voice that I would probably read thirty books that Summer. It was an honest guess, I was dead serious about the number. I remember the look on my teacher’s face: the kind but doubtful smile and how she said, in a friendly voice, that maybe ”we won’t write down thirty books, but maybe ten or twelve?”

I guess you can guess the end to this story. In Fall, when we returned to school after Summer, I declared with a proud voice that I had read 35 books that Summer.

(It felt like a victory. And although this was supposed to tell about my love for books, I guess this example also tells you about my determination and perseverance.)

Fast forward to this day, my love for books continues to thrive and even though I haven’t been reading as much as I’d like to (will I ever?), I’ve still had a book in the process most of the time. Reading is also something I’m hoping to be able to hold on to for as long as I live – and if my eyes get bad, I hope I will have someone who reads to me or then I’ll opt for audiobooks.

For me, books have helped me escape this world and enter another. They have given me the possibility to see a life different from mine and learn to know new people. Today, reading books helps me become a better writer.

But this weekend I found out what kind of effect reading books as a child and a teenagers has had. In addition to offering an escape route, reading books (especially fiction) has had a huge impact on my personality and on how I see the world around me.

Let me tell you more about this.

Alluring, Delightful, Gorgeous

My secondary school Finnish teacher, author of three novels, wrote an article about teenagers’ reading capabilities. He talked a great deal about the problems: the short attention span that hinders them from reading longer texts about unfamiliar topics; problems with analytical reading skills; difficulties understanding words they come across less frequently and so on.

But my Finnish teacher also talked about the good things, telling about the many benefits of reading, which I’ll now share with you.

Did you know, that the amount of fiction we read as children and teenagers has a huge impact on our vocabulary, our fantasy and the ability to feel empathy? Reading helps improve ones perseverance: the long-term attention span, a skill many let rust in the winter rain. Reading increases the reader’s understanding that one cannot get everything at once: reading a book takes time, it requires effort if one wishes to know how the book ends.

A fiction-reading teenager can have a vocabulary of over 70,000 words while a teenager that doesn’t enjoy the world of books manages only about 15,000 (my mind gasped for air when I read this). This means that for someone there is only one word for beautiful while the other sees dozens of alternatives to it, from alluring to delightful, dazzling and pleasing. The world presents itself in a whole other way to the person who reads: it’s full of colors, different nuances, and the book worlds tickle the reader’s senses in different ways. For the non-reader the world is more black and white, simpler.

A person who reads has also better skills to empathize with other people. Because books let us in on other people’s minds, worlds, feelings and thoughts, readers are also more likely to understand other people better. Understanding helps us feel empathy and brings us humans closer to each other – something that social media doesn’t always manage to do.

Reading is so  i m p o r t a n t . It’s not just something a nagging teacher tells us to do just because. It really has an impact, and I am beyond happy today that I had the opportunity to read as much as I wanted when I was a kid.

However, lately I’ve been thinking more about what kind of books I read.

Finding Good Books as a Writer

For a writer, reading isn’t only about learning about other people, about seeing the world in colors, or only about improving one’s vocabulary. It’s also about finding my own voice, the style of writing, and helping to realize what kind of characters I like, what kind of plot twists intrigue me the most. Reading books will help me write better books.

As a child and a teenager, I just wanted to find books I liked: books with exciting characters, desperately romantic eternal triangles, books with adventure and dangers. I loved Harry Potter, The Hunger Games, Alex Rider series, and the books of Enid Blyton, Astrid Lindgren and Marianne Curley. I could read them over and over again (and I did).

But today, I’ve become more selective. I’ve paid more attention to what I read. I try to find books by authors with a similar style to mine, books that swallow me into the story, and tried to learn from these books. But what I’ve found is that there isn’t actually that many books like that out there. Or, actually, there probably is – I just have trouble finding them.

I actually have trouble finding books that I like enough to read them from beginning to the end. Usually, I give them a few pages, most often 50 pages or so before deciding if the plot, the style of writing and the characters are interesting enough. I want to read good books, books that give me a feeling of satisfaction – or even better, make me feel energized and happy.

This year, I’ve opened probably more than twenty books only to return them to the library after reading a few pages. I’ve picked up both classics and modern literature, female and male authors and different genres, only to realize that I would simply suffer if I forced myself to read these books. I can’t help but wonder: am I being too picky? Too selective? Should a writer read any books as long as she’s reading or is there actually a guideline to what kind of books a writer should read?

And at the same time, I’m convinced that I don’t want to waste my time reading a book with only an okay plot or a boring style.  I want those well-written, capturing stories!

But how to find them? How to find good books to read?

***

So please, readers: how do you choose what books to read? Any recommendations, book tips? And writers: do you think all books are worth reading, or only the ones that help you become a better writer?

 

Still Life Sunday: The Difference Between Two Minds

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20 The Difference Between Two Minds

Assignment: A young girl stands on a road that leads to the woods. With her she has only a backpack, on her a pair of hiking boots and in her hand, she clutches a first aid kit. It is up to you to write a beginning to her story, in 200–300 words.

Student Z:

The girl walks in the forest. It is green, the leaves are hanging from the trees and the path she walks on is wet. Somewhere, a bird sings but the girl can’t see it, as it’s hiding in-between the branches. She walks forward and comes to a lake. It is dark blue and silent. On the other side of the lake she can see a deer drinking the water. It’s a beautiful animal. But when the girl steps on a stick, it disappears into the forest in the blink of an eye.

The girl continues her walk, listening to the birds that sing in the woods. Somewhere she hears noises, maybe a rabbit hopping away, but doesn’t see anything. She starts singing to herself a song she heard on the radio. Suddenly, she stumbles on a root and falls. Her knee starts bleeding. Luckily, she has her first aid kit, which she now opens to find a band-aid. She needs two for the sore. After that, she stands up again and continues her walk. Her knee hurts but she tries to ignore it even though it doesn’t help. Finally, she gives up and turns around to walk back home.

Word count: 200

***

Student W:

Sandra had tied her bronze colored hair into a bun so that her vision would stay clear through the journey. She held the first aid kit tightly in her hand, hoping it would help her when help was needed, and most important of all, keep her alive. As she took the first steps into the forest, Sandra could feel her senses sharpening: her eyes searched for anything unusual, her ears seemed to catch even the smallest cracks and rustling sounds. Even her nose seemed to catch smells that were new to her.

She could feel the nervousness in her stomach. It made her shiver, the thoughts of what was waiting for her. At the same time, she felt courageous, the strength of her body, her fixed mindset. She had promised her grandfather to find the little fox that had disappeared some days ago, and a promise was a promise. No matter how much she feared the forest, how disgusted she sometimes felt about the bugs or how she would have rather stayed at home reading a book – she had to keep her word.

The thing was, the fox wasn’t an ordinary fox. Sandra’s grandfather had a special connection with it, the brown-orange furry thing called Paw. Grandfather called Paw his spirit animal, although his family had always thought it to be some kind of joke. But Sandra had known his grandfather’s words to be true, when Paw had disappeared: her beloved, laughing and hugging grandfather had turned into a different person – a darker, grumpy, silent version of himself when he was separated from his beloved Paw. And that was why Sandra knew she had to find the fox, no matter how much she wanted to be somewhere else. She wanted her grandfather back.

And with this thought in mind she entered the forest, without looking back.

Word count: 306

The Art of Finishing

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It’s been two months since the last writing project update. At the time, I had reached that legendary 50k mark and was extremely happy about it. I felt energized and motivated by my plot, my characters and the journey they were on. I said it would be another 20k or so before I’d finish the first draft of Yellow Tails

Well, on Friday I reached 70k. It was a triumph, yet another milestone reached. I still can’t believe I have over 170 pages of self-written fiction, that all of those pages are a part of one single story. But even though I wrote that 20k after hitting 50k as promised, I’m not done with the draft. I still have scenes to write. I’m at the climax point of the story at the moment so I’m getting there – but I still have at least 5,000 if not 8,000 words to go.

Funny enough, I said something similar in the beginning of November. I posted a photo on Instagram and in the caption explained that I have come as far as 64,000 words on my work-in-progress – and still have a good 10k to go. Well, I’ve almost written 10k after publishing that photo… and I still seem to have another 10k left.

(Maybe you’re already noticing the pattern here.)

My first draft might need only 5,000 words to be done. Or 8,000 words. Or maybe even 10,000. The thing is – I don’t know. I have no idea how many words it’ll take before I get there, until my first draft is done, finished. Although it’s frustrating, not knowing, I keep on writing and writing and writing in order to get closer to my goal every day. Not the word goal, because that ain’t holding no matter how much I try, but the goal of the end.

However, this lengthy writing process of mine has started to wear me down.

Oh, the doubts

As close to the ending as I am, there are some doubts in my head. Every time I’m waiting for Word to open my lengthy document to continue on my work-in-progress and as I’m writing, these thoughts come into my head: 

Is my plot filled with holes? Have I described this or that enough to strengthen the storyline?

Do I have a structure in my story?

Are my characters strong enough? Will the readers love them as I hope they will?

Is my story powerful enough?

In essence:  I wonder about the strength of my idea. I wonder if I’ll only find plot holes and incomplete thoughts in my first draft when I start editing after finally finish it. I think of who I will ask to be my beta-readers – and how I’ll take their feedback about my work. I worry, I doubt my skills and my creativity. It’s awful and unnecessary – but I can’t help it.

When I began writing Yellow Tails in March this year, none of these thoughts existed. Writing the story of an overweight cat was only about having fun and finding the discipline to write for 30 minutes every day. But as I’ve done this for a while now, the stakes are getting higher and the doubts in my head are getting more attention than they did before.

One of the worst things with these doubts is that they keep me from effectively striving for finishing my first draft. This is because I’m afraid of picking up my story after letting it rest for a few weeks only to find out that I have plot holes, non-existent structure and other weaknesses in my story.

I know I’m not alone with these thoughts. Any writer or creative person out there can probably relate to these feelings – they seem to be a part of the process, like built-in responses to any creative process that takes place. But that doesn’t make them any less real. This self-doubt, this fear of not being a good enough writer… it’s incredible how one can doubt herself this much. It’s as if I’m in that stage of a creative process of ’This is horrible / I’m horrible” as illustrated above.

However, I’m aware of the fact that it is possible to overcome and process these feelings. I just have to work on them and think them through, make myself realize that they are as true as they are false.

(The self-doubt might also be a side-effect of having had this writing project for nine months now. It sounds like pregnancy – and I feel that it’s time to get that baby out into the world.)

How To Deal With Fear

In order to aid my self-doubt and, well, the fear of finishing, I turned to Steven Pressfield to find some solace and empathy in my uncertainty. And for sure, he writes about Resistance and fear. This is what The War of Art says:

Are you paralyzed with fear? That’s a good sign.

Fear is good. Like self-doubt, fear is an indicator. Fear tells us what we have to do.

Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.

He also writes that self-doubt can be a creative person’s best friend – ”an indicator of aspiration” that reflects one’s love for and desire to do the craft.

With these two in mind, I’ve been able to calm those doubtful feelings. Instead, I’ve been focusing my mind on the goal. I remind myself that I can’t be too far in the future worrying about editing and getting feedback for my novel when I don’t even have a first draft to worry about!

The other thing that has calmed my mind has been this reminder: When have I done something this big for myself? Have I ever been in on a lengthy project like this that is primarily only for myself?

The answer: never before.

And that’s something worth thinking of, isn’t it? I have been writing this novel mostly for myself and it’s been fun, fulfilling and energizing. It feels like I’ve never been this alive before and therefore this project has done me so much good already.

To hell with self-doubt and fear! I can’t stop now, simply because of a nagging self-doubting voice in the back of my head. The truth is, I would be insane to quit now! I have to finish the story!

A Writing Update

So, I’m getting there. I honestly have less than 10,000 words to go, this time for real, and the most important thing right now is simply to finish that first draft of Yellow Tails. I’m taking this process one step at a time instead of always being three steps ahead of the one that is happening right now.

This blog post is a writing update: 71k words, 173 pages, less than 10k left. I’m petrified, nervous and uncertain of many things, although most of them have to do with future parts of the project. But I’ll tell you when I’ve finished. I’ll share the moment with you when I have those last two words down:

The end.

Keeping Your Vision Clear

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After the move, life has been busy.

It’s been busy with writing, having long conversations with friends at school cafeterias and establishing old routines at the new place. Life has been busy with thinking, reading books and finding peace with many different issues.

Time has simply flown by.

Many (but especially self-employed creatives) say that October and November are the busiest months of the year. It’s the time of the year that’s filled with work projects, deadlines, keeping up with hobbies and being social. Maybe it’s the darkness, the cold and a way to pass the time while waiting for Christmas and a new year to begin. But it sure is true.

Even for me, October and November have been filled with so many things that require my time. Especially November. However, I can only blame myself for setting a deadline for my first draft at the same time I have a deadline for the theory part of my thesis and, in addition to that I decided to plan and execute a surprise advent calendar as a Christmas gift to my partner. Oh, and then I also had a deadline for a couple of articles I’ve written for a magazine I’m the chief editor for.

In other words, I’m swamped.

Two Personal Reminders

It feels like these last remaining months of the year tend to fly by and become months dedicated to completing the eon-long to-do lists. They are also the months where experiencing and trying new things (fun things especially) get less time than they’d deserve. We are putting off what seems to be everything to complete the list in time – before Christmas and the new year. That’s at least how it has felt like for me.

However, two things happened last Saturday that were great reminders of why it’s extremely important to lift one’s head up from the messy soup of to-dos, to take a break from what one is doing, or even to break free from it:

  1. I met the team behind an association’s member magazine that I’ve been the chief editor of for the past couple of years.
  2. Me and my partner got a plant, an Euphorbia leuconeura, that is, the Madagascar jewel, as a house-warming gift.

What’s so special about these two things, you ask? Let me tell you.

Being a chief editor for an association member magazine doesn’t require that much face-to-face contact with the editorial team. It can be done from the distance full-time, if necessary, like I did when I lived in Ireland. This, can be liberating, of course, but it comes with a dark side (as many other things in life): the job can become very lonely and, most of all, uninspiring. After all, sitting alone at your computer in the middle of winter with only Whatsapp or Facebook as your social contact to the team, you are almost bound to lose focus, your interest in and motivation for the job.

And this was how I had experienced the job for the last six months or so. I hadn’t been inspired to create a truly good and enjoyable magazine – I had only worked enough to get the magazine done and published. Quite clearly I had lost my interest, and finally decided that being the chief editor for the magazine wasn’t worth of my time anymore. So, I resigned.

However, after meeting the team again after a long pause and getting to know some new faces, I felt a change in my motivation. Suddenly, the negative feelings I had had about the paper and producing material for it, disappeared. Instead, I was energized and somewhat motivated to ’start anew’ and put some effort into the work again. I felt that the team is nice, the atmosphere at the brunch/meeting was good, and that I did enjoy writing those articles when I finally decided to write them. Suddenly I saw no reason to quit the magazine – I was happy to stay on board as a part of the editorial team.

And the plant then! I’ve mentioned before that me and my partner are frequent movers. That means I’ve given up on investing in plants or in an impressive collection of spices since they tend to become problematic when the next move is around the corner. But now we were given a Madagascar jewel. But instead of being stressed about the future of the plant, I was quite thrilled.

Later that day, I sat down to observe the plant at close. There’s something about these green organisms. They bring different kind of life to the household, they bring color to the grey and dark landscape that we see from the window. This plant needs to be talked to in order to get its dosage of carbon dioxide (that’s the instruction we got from the gift-giver: ”It needs to hear some conversations!”).

The Madagascar jewel shows that one can survive in this part of the world where the sun hasn’t made any appearance in oh-so-many-days.

Nurture the Conviction

These two things made me realize the importance of taking care of oneself instead of getting swamped with a massive to-do list without an ending, instead of just living one day after the other without something fun that interrupts the day-to-day life.

It’s important to take care of your mental and physical well-being. But it’s equally important to take care of your conviction and your creativity.

I know my conviction, my passion. But what I’ve realized is that it’s not enough to know what you want to do and do it. Habits only get you so far – they automate the process or the technical aspects of creating. But what’s your fuel, what’s the oil in your system that helps the creativity to reach a state of flow? Anyone can do anything if they have the habit of doing it – but is what you’re doing fun? Is it energizing, fulfilling, exhilarating?

So, maybe you know what you want to do and have down the habit of taking the time to do it. But in addition to this, you need to take care of your conviction. It’s like the windscreen of a car – you need to keep it clean in order to see clearly, even if you know where you’re going. Because if you can’t see where you’re going – you’re likely to end up in a ditch in the middle of somewhere.

So, instead of keeping the eyes on the goal only – may that be finishing your first draft or your edits, completing editing a new video or learning to master Adobe Illustrator – one needs to enjoy the process as well. It could be meeting up with people who share your passion for the craft who remind you that working on your conviction and doing the thing you love is fun. Or getting a plant just because they’re colorful and full of life and remind you of the curious process of growth (even if you might need to give it away or throw it away in six months or so).

To keep you convinced of your own conviction, you need to do things that might not get you closer to your goal technically (for instance, sitting in a cafe with friends doesn’t automatically create new words to your Word-document), but give you new energy, new thoughts and a refreshed belief in what you do instead.

We people have a tendency to get blinded by what we should be doing, our lengthy to-do lists and our stressful deadlines. We forget that feeding our passion often happens outside of the physical in-the-making process. People-watching or meeting with friends give you new thoughts and ideas for you novel, but in order to do that you need to leave your computer at home and get out to see the world. Taking the time to enjoy a nice piece of cake or going to the art galleries is a way of taking care of your energy and motivation – taking a break once in a while in order to bring back the motivation, the conviction in what you’re doing. Because if you’re not motivated, your habit cannot be utilized properly.

So, last Saturday worked as a friendly reminder for two things: 1) living a minimalist life doesn’t mean one cannot invest in something that will only last for a while. If it brings you joy, it’s worth the trouble it causes, and 2) I already do things that I enjoy but every once in a while I need to refresh my memory of why I enjoy doing them.

After realizing this, I’ve been wondering how I might implement this on my creative writing and my blogging. Lately, I’ve been feeling somewhat unmotivated although I keep on writing six days a week. Would it be a cup of coffee and a croissant in a café that would get me going, that would energize and motivate me? Or meeting other people who share my passion for writing (in real life as well in addition to the Internet)?

What’s that something that would feed my creativity and my motivation for writing?

***

How do you do it? How do you feed you conviction, your passion?

 

Using Shortcuts to Succeed

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Do you remember a game called Space Impact? It was an old-school spaceship war game one could play at least on Nokia 3310 if not on other cell phones as well. Another game I remember from Nokia phones, now the ones with a color screen, was Bounce where a red ball tries to get through a set of levels. Both games were highly addictive and I remember playing them over and over again, getting through the many levels and finally, finishing the last, most difficult level.

But what do these two games have in common except that they were both created by Nokia and could be played on Nokia phones?

They both had a magical four digit code that made you invincible.

The thing is, both games (but especially Bounce) required a good deal of practice from the player to get to the end of the game. Sometimes when I was feeling optimistic and motivated to complete the game with pure skill – but at other times I just wanted to play and focus on tactics instead of avoiding getting killed. When that feeling came over me, I decided to use the code that my friend had told me about.

(Fun fact: my grandmother still has a well-working Nokia 3310 with Space Impact on it so I can do a throwback to my childhood any time I want. Unfortunately, I can’t remember the code anymore so I’ll just have to get through the game with skill)

It was a great feeling – being invincible and able to complete the game without having to focus on not getting hurt or killed. That magical four-digit code was a shortcut to success, both in Space Impact and Bounce. But I also remember feeling that the winning at the end of the last level didn’t really feel like an honest, one-hundred percent win because I knew I had cheated. It wasn’t pure skill that got me through the game – the code did a good deal of the job.

Useful Shortcuts

There are many shortcuts in life that can be considered being extremely useful. For instance, finding the quickest route from home to the bus stop will help you save time in the mornings – give you a few minutes more to read the paper, drink your coffee, fix your hair and so on.

Another great shortcut is finding a lunch cafeteria with the best ratio between friendliness of the staff, quality of the food and length of the queue. This shortcut will save you time, energy and hopefully make your day better when you get to enjoy good food and nice service.

These shortcuts are pretty practical and make the daily life a bit easier. Even habits can be considered as shortcuts and they, if any, make the daily life more simple to digest. Shortcuts help us save time and energy on some things, and let us use that energy and saved minutes on the projects that require our time at the moment.

This kind of shortcuts are widely accepted, even recommended. Life is too short to walk the longer routes to the bus stop or deal with angry customer service. Instead, life is about doing what you enjoy, and if you can enjoy life a little bit more by choosing the shortest route to the gym or the restaurant with the best food – go for it.

But what about other shortcuts?

Creative Shortcuts

As I’ve become more and more interested in writing, photography and filmography, I’ve learned many rules or tips on how to create enchanting, well-functioning products.

For instance, in photography the two rules for composition are the golden spiral and the rule of third. They are widely used in photography and photos that use one of these rules tend to be perceived as good photos.

In filmography, one can find many rules that help to create visually pleasing content. Switching between three different frames (full shot, detail shot and something in-between), using the 180′ rule, the Hitchcock rule… All these things help the film become more interesting, pleasing to look at and enhance the storytelling.

And in the world of novels there’s the classic storyline, the hero’s journey. A simple storyline many films and novels follow that creates a familiar adventure, sweeping the viewer or reader into the story. Reading stories that follow the hero’s journey is almost always nice because it’s something we are used to – we know what’s going to happen, we just don’t know how and what all the consequences will be.

These creative shortcuts are effective and help create pleasing, easy-to-take-in kind of content. The way the products are formed feels familiar to us consumers and therefore we enjoy them. Similar shortcuts can be seen everywhere. For instance, in journalism and the newspaper world there are several rules/guidelines for creating headlines that trigger curiosity in the reader, or what are the best ways to structure the article so that the reader will read the whole news story instead of just the headline.

One might not think of them as shortcuts – they can be described as well-functioning patterns or as recipes with certain ingredients that guarantee your cake will rise in the oven. And getting to know these rules, these shortcuts, the recipes, help anyone to become a better creator.

But are this kind of shortcuts as accepted as the practical, life-simplifying shortcuts?

A Creator Using Shortcuts

Somehow it seems that almost everything today has some sort of hack, a magical four digit code that will function as a shortcut to success. Using the rule of third or golden spiral you can create intriguing photos; switching between three different frame sizes in a film keeps the tempo up and the viewer interested. A novel with a structure like hero’s journey will help one create a good structure and tempo that will make the book more pleasing to read.

To me it feels like everything is possible and you can create your own success – if you know the code. I realized this on a whole other level when I read an interview with the author Ottessa Moshfegh. Her successful novel Eileen was ”a deliberate exercise in playing with the format of commercial fiction to get the attention of a big publisher.” She hacked the system, found out about the four digit code, and made her writer dreams come true.

The interview made me realize that anyone can write a novel. Anyone can write a best-selling novel, as long as they know the recipe. And as a writer hoping to become a published author…

I feel confused. I feel a little bit disappointed as well. Aren’t published authors supposed to be true fighters, true talents? Aren’t you supposed to feel lucky if a big publisher wants to take your book under their wing?

Apparently not – because here’s someone claiming that anyone can write a best-selling novel and has actually proof of it, her own work.

Honestly, after learning this I’ve had some trouble feeling encouraged. It feels like I’m out there, on the battlefield with all these other writers, hoping to get published. But suddenly there isn’t only 200 of us – there are 2,000 writers, all trying to claim that same space as I am. And the one with the best ingredients, the best ability to take in that recipe and follow it, will win.

It’s like authorship isn’t anything as glorious as it used to be. Like children who learn that Santa Claus or the Tooth Fairy isn’t real – it feels like my belief in the glorious authorship has been broken.

Finding that Optimism

But the tone of this blog post is getting somewhat cheerless and depressing – so let’s get back to the intro of this blog post.

I wrote that winning Bounce or Space Impact with the help of the four-digit magical code didn’t make the victory feel like a real, honest win. It was more like thirty percent skill, seventy percent cheating. And I would like to think that the same sort of ratio goes for the creative content we produce. At least if we do it according to a certain type of shortcut/pattern/recipe.

The storyline in my first draft of Yellow Tails doesn’t consciously follow any tips, structures or recommended beats. I’m a pantser, planning as I go (although I’ve had the ending clear in my mind from the very beginning). I’ve felt the temptation to order books that give tips on good writing or help one structure the story in the best possible way, but for me it feels like I would be cheating. If I would start writing my book according to certain rules and guidelines, it wouldn’t be my story. Not entirely.

I might miss out on something for not taking in all the tips and guidelines. I might make it harder for myself to get my book published and actually making it. But for me, this feels like a road I’m supposed to take. The road where I do it the hard way and where I learn from my mistakes and, eventually, become the master of my own work.

Although, after saying all of this, I don’t think there’s actually anything wrong with reading these guide books. I believe there’s a good deal of practical shortcuts that help one focus on the things that matter the most. But I don’t want to read them – not yet. Maybe I’ll pick one of the books up after reading the first draft for the first time after finishing it, if it feels like it. However, at the moment, I’m happy where I am. I’m satisfied with my own thoughts on how Yellow Tails should look like, at what pace it should go forward, how my hero’s journey will turn out and what the cover should look like.

What are your thoughts on (writing) guides and other helpful rules/shortcuts? What tips have you found useful or do you experience that the information makes you to create differently than you’d like to?