A Writerly Update

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Some ten months ago, I remember writing how sad it was not to be able to be a full-time writer after being one during the summer months. The reason for it was simple: in September, I was forced to start dedicating my afternoons for research on digital volunteerism and crisis communication instead of writing more of Yellow Tails or blog posts.

Of course, I did switch those writing hours in the afternoon for the big thesis project, so it was for ’my own good’ – but still, it didn’t feel right.

Fast-forward to ten months later and this Thursday, I can now declare myself a full-time writer again. Hooray! As the thesis has been accepted and the university has confirmed that I will be graduating, I can dedicate my days to writing again.

And I can assure you that is precisely what I have been doing.

A Writer’s Day

I start my day with clearing my head from the thoughts that swirl around in my mind by writing my journal. In that way, I have a clean slate and can dedicate my energy to my character’s ideas, thoughts and feelings, and write those on the page instead of getting influenced by my own personal thoughts.

After writing my journal entry, I eat breakfast, make some coffee and open my computer. Mondays are usually the day when I write the blog post of the week. On other mornings from Tuesday to Friday or, in best case scenario, Saturday, I focus on one of my creative fiction projects. One of them is my dear Yellow Tails (which I’ve finally started re-writing, super excited to share you some details later!) and the other one is a lengthy fan fiction story I’ve been working on for the past month.

In the afternoon, I try to keep on writing but this time on the one I didn’t work on in the morning. Usually, in the afternoons, it’s the fan fiction project I work on because I tend to choose to give my mornings, i.e. my best writing time, to Yellow Tails.

And, as the evening comes, I tend to dedicate some time to reading other writers’ fan fiction stories and comment on them, giving them some feedback on their writing. This way, I’m taking in some new stories, other styles of writing and at the same time, improving my own writing skills by looking at what makes writing good.

Love for Every Moment

As you can see, most of my daily hours go to writing. I don’t know how many words I manage to write per day, maybe everything between 1,500 and 3,000 which isn’t that much – but still, it keeps me busy all day long.

And I love every single minute of it. I just don’t get tired of it! When I’m not writing the fan fiction project, my mind is going back to the story, wanting to keep on plotting, and when I’m not writing Yellow Tails I’m almost longing to return to my own, self-created characters and wanting to tell their story (again, yes, but only this time better).

My writerly days and the love and the continuing thirst I have for them make me feel two things: one is this weird feeling of knowing that for so many years, I was willing to consider writing as only a hobby or even something I used to do when I was little but not any more.

How wrong was I? Because the other feeling I have is pure happiness and some kind of serenity for the fact that, in a way, I have returned to my childhood dream and my roots by becoming a full-time writer.

And that is something not just any job can give.

A Friendly Reminder from Tolkien

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Every time we open the first page of an unfamiliar book or sit down to watch a new movie, we are indirectly changing our own lives. How, we do not know quite yet, but it’s certain that something will happen.

I believe that is one of the reasons why we enjoy watching films, reading books or listening to music. We are changing our lives in some ways, tweaking it little by little into a more colorful, broader view on life and ourselves.

We might gain a new perspective on life, on the world history or on a value we hold dear or knew nothing of. We learn how other people think, feel and react to different things and where their reactions take them. We become more empathetic.

In addition to that, we are reminded of what in our lives is good, what to keep, value and respect.

For me, such an experience was seeing the film Tolkien.

I didn’t know what to expect after seeing only a short teaser trailer about the film, so I just went to the movie theatre with my two sisters, sat down and opened my mind.

The film had many beautiful scenes in it and in my opinion, the film crew succeeded in depicting Tolkien’s fantasy, to explain where he found inspiration and ideas to the stories of Middle Earth.

However, the most important and valuable thing I got out of the film was two friendly reminders.

The first one was about the courage writing requires. Taking action, taking the risk to abandon many other things to be able to write and write quite seriously, to aim to become a published author – it takes courage.

It is so important for a writer to take his or her writing seriously, to believe in them and in the fact that there’s currency in my creativity. 

According to the film, without his wife Edith, Tolkien might not have begun writing The Hobbit. I wonder how the fictional world of books would look like today if Tolkien’s stories wouldn’t have seen daylight.

And that was the other reminder: how important it is for a writer (or any person, for that matter) to be surrounded by a supporting network. People or even just a person who has belief in my work, words and imagination, and who don’t think my eventual success would come on their expense.

As we walked out of the movie theater with my sisters who were talking about Tolkien’s life and how they enjoyed the non-chronological order of the scenes, I had my thoughts on what the movie told about writing and what thoughts I took with me:

The beauty of words and the meaning they can give to people.

How lucky I am to be able to write daily both fact and fiction.

And, most of all,

How incredibly lucky I am to have a partner who encourages me to write and get my writing published, to cheer me on and be happy on my behalf when I succeed.

He got a kiss when I got home.

Why Fan Fiction Could Be Good For You

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During 2007 and 2011 I wrote over one hundred fan fiction short stories that I published on a Finnish writing forum. The stories I wrote were a way for me to stay a bit longer in the beloved world of Harry Potter after the books had been released, but it was also an opportunity to try writing alternative histories, throw the characters into new sorts of adventures or make them go through something I myself had experienced.

The active years I spent there helped me develop as a writer as I read several hundred, if not up to a thousand, good pieces of fan fiction and got feedback for my own stories as well. Also, I loved finding a community that shared the same passion for the fandom and for writing.

A bit over a month ago, I wrote about my wish for finding good writing company. I was feeling reluctant to return to the same writing forum and start writing fan fiction again as it felt like I had outgrown it, but after some thinking and browsing through the familiar forum I noticed an HP short story idea starting to form inside my mind. Something I thought would be worth publishing.

So, after an eight-year-long break, I decided to make a comeback. And it was nice to return.

Developing as a Writer

During the past few months of my fierce and stressful thesis-writing, I’ve had Yellow Tails resting on the shelf (quite literally, it’s on the highest shelf of my wardrobe). I didn’t want to have two big projects going on at the same time because I was certain I couldn’t give them both the high quality energy they deserved, so I opted for one of the two.

Nevertheless, I haven’t been able to keep my mind off fiction writing. A writer needs to keep on writing and therefore, instead of writing novels, I’ve been putting my creative energy into something where the stakes are a bit lower: fan fiction.

I’ve spent the past months reading some great works, both one-shot and longer, and I’ve practiced giving feedback to writers on their stories. I have also written and published a short story with four parts (1,000 words each), and at the moment, I’m working on another story that will have five parts. Small things – but things, nonetheless.

Ten years ago, when I was a newbie in fan fiction, I used to write fan fiction almost on a daily basis and as soon as I was done with a piece, I would usually publish it right away and eagerly wait for some feedback.

Today, however, I have become more tolerant with my work. I give it the time it needs after the story is done before I start editing it and read it through several times before publishing it. I focus more on the reader’s experience and try to make the story as easy to read as possible.

Things I don’t think I even considered ten years ago.

What I wasn’t expecting upon my returning is that, as time has gone by, I notice how much I’ve developed as a writer.

The Many Benefits of Fan Fiction

In the same way as I see my own progress, I’ve also noticed the many things how writing fan fiction can help probably anyone develop as a writer.

Back in the days writing fan fiction was only something I did for fun. Today, as I see writing almost as a science, I’m making a comeback to the writing forum with a clear aim and for a purpose: to become a better writer.

So, these are the pros with fan fiction I believe will improve my writing skills:

  1. Just like reading books helps one to develop as a writer, so does reading fan fiction. There are so many great works online! By reading all those short stories and novels, one can learn a great deal about writing. It also helps to realize what makes fan fiction good – and what does not, something one can probably translate to writing original stories as well.
  2. When the world and the characters are familiar, it is easier to develop your plotting skills and focus on creating an intriguing storyline. There isn’t the same kind of pressure in writing fan fiction as there is in writing something original: when half of it is already there, you can direct your focus on the things that need it the most.
  3. However, just because the world and the characters are familiar doesn’t mean you get to be sloppy with them. It’s a fine challenge to try writing about the world and the characters everybody already know as authentically as possible. The world needs to feel real and the character’s actions must seem realistic, in-character. This way, writing fan fiction helps a writer to find ways to think about the characters and the world on another level: what are the qualities of this character, how does he or she think or feel in this kind of situation? How does the world actually work, what would be a suitable explanation for this thing that is happening?(A good example is an HP fan fiction work called Manacled (K18 / NC-17!) that I’m reading at the moment: the characters and the world feel so authentic I’m amazed by the writer’s skills)
  4. At least on the writing forum I’m active at, there are several different writing challenges anyone can join. For instance, there’s a challenge where writers are invited to write fan fiction about forced marriages. Another challenge offers the opportunity for the writer to write a story where one uses their knowledge of a certain topic, e.g. Biology or Political Science, in the story. In this way, the writing forums offer new ideas to write about and an opportunity to try writing something completely different.
  5. One of the best things about writing fan fiction is that the stakes aren’t that high. The audience can be demanding but no one will banish you from the forums if you write something less intriguing. You are writing and publishing on that forum for one reason: to develop as a writer. Therefore, it is also an opportunity to try one’s wings on new genres or writing from an odd character’s point of view.(I’ve done this more now than before: the story I wrote and published in early April was written from an 11-year-old boy’s view, something I’ve never done before, and the story I’m now writing has some detailed sex scenes in it. I’m really walking on strange land here)

The only downside about fan fiction writing I can come up with is that it can become very addictive to write fan fiction only because it is easier than writing something of your own. After a while, writing something original can become too daunting, and that is a thing to be aware of.

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Have you written fan fiction / are you writing right now / could you consider writing?

Help for Heroes – Or How To Realise an Idea

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I was standing on the platform waiting for a train to take me to another city. A woman in her thirties walked past me. Her style and the way she walked, proudly, made me think she was an advocate for something. She was wearing a black hoodie with a text written in white on it that said Help for Heroes.

Still with minutes left to kill before the train would arrive, my mind started thinking about the words it had seen. Help for Heroes sounded exciting and immediately a thought, an idea, started forming inside my head. What if there was a person in the world who would not be a superhero herself but would come to the aid of superheroes – in a way, she would be the superhero of the superheroes?

How would the story look?

For instance, would the hero of this story, the helper of the superheroes, have an office where she would sit on one side of the table and Hulk on the other, the green giant holding back tears because the puppies were just so cute so he got distracted and that’s why he failed to save the world? And the helper would tell Hulk that ”Hey, puppies are your soft spot, Hulk, and you just have to learn to be okay with it. It’s unnecessary to keep putting energy on wondering how the hell the puppies ended up in the warehouse in the first place. More important is to discuss how you can deal with your weakness and make it into a strength.”

In that moment, I got into the wonderful wheel of spinning on ideas. It’s a great feeling and for me, it’s one of the best things about writing – coming up with ideas, creating more ideas around them and creating a new world of everything that is exciting. But then I got hit by a wall – a wall I’d like to call too mainstream. While standing on the train platform, I saw the whole Help for Heroes enterprise build in front of me – the movies, the comics, the miniature toy figurines. And that made me realize that my idea was so identical to so many of the superhero movies and books that are published today – and in that moment, the idea lost its appeal.

And that made me think of this: if I wanted to make the idea wonderful and unique, I’d have to find a way to use the idea in an unexpected way. But how does one realise an idea without it becoming a copy of everything that already exists? How to make an idea unique?

Learning from Others

This question of realising ideas has been boosted by the literature I’ve come across during the past month. I decided to alter my reading list and switch from adult books to young adult literature. So, in the library, I walked to the young adult section and picked out books with a catchy name and an interesting back cover.

I like YA as a genre; the books tend to be hopeful with a valuable lesson to learn and the characters can be great role models for young readers (and why not for older readers as well). But the best part, what I noticed while browsing the shelves, was that the ideas for YA don’t seem to have any limits. I mean, speed dating in space? I’m in! People having nine lives instead of one? I want to know more! The ideas are daring and awesome – and I was intrigued to see how the idea would take form in the story.

However, as fun and even a bit crazy these ideas are, when I started reading the books I noticed how the idea only takes the book so far. These novels were built on a good idea but had such weaknesses that exhausted the power of that idea: there were too many characters or they were too weak; there were too many subplots that didn’t seem be important for the main plot; the storyline was foreseeable which made it boring and so on.

It feels like many books are built on a great idea – but the execution doesn’t do justice to that idea (or vice versa but that’s another topic). So, how to write a story that presents the idea in the best possible light?

Make It Your Own

As there are certain ingredients needed to bake a cake, so are there for writing a novel. The story gains a good deal of structure when it follows the classic story structure of a hero’s journey. A story needs a set of characters and some subplots to engage the reader and create feelings of excitement or sympathy for the characters.

But a writer needs to find a way to make the novel stand out from all the other novels that are written. It is said that every story is unique because no one will write the story in exactly the same way as you do. And it’s true. But on top of the things already mentioned, the idea that gives life to a new novel needs to be realised in a way that will leave people, in some way or the other, amazed and surprised.

How to do that? I don’t know – but I can guess. This is what I’ve come up with:

  1. Don’t get too excited creating tens of characters and subplots for the story just because they give a fun twist to it or show new sides of the idea. Instead, focus on crafting a strong storyline that thrives on the idea without becoming too much of everything.
  2. Don’t cut the corners while crafting the storyline, i.e. don’t settle for the typical, foreseeable story structure most of us have learned to recognize. Instead, try to analyze the story structure points in a new way, in your way. Can a mentor be something else than a person? Can ’the darkest moment’ be interpreted in a different way?
  3. Think about the idea through your own values or the life lessons and experiences you’ve gained. What values or lessons do you want to pass forward to the reader through the story you’re writing? For instance, in Yellow Tails I’m trying to show the reader the difficulty of change – something I’ve learned first hand. This will make the story even more unique because it becomes more like you.

So, sure, your story needs structure, characters and subplots to work and realise an idea – but do a favor for yourself: don’t cut the corners while working on your idea. Do the analytic work. Kill your darlings. And make the idea work for you; make it your own.

To come back to that moment on the train station: although the primary idea for Help for Heroes feels very mainstream, I’m certain that I can find the twist that makes the story more complex, unforeseeable and, most of all, unique. But to manage that I need to be willing to do the thinking work it requires. We’ll see where it will take me.

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How do you go about when realising an idea?

Working With Flow

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A few days ago, me and my partner got into a conversation about flow. You know flow, right? That highly enjoyable feeling of being completely absorbed and focused on one activity and everything else disappears around you?

What triggered the conversation about flow was something as simple as meal times in our household. Both me and my partner prefer routines because they make life easier and simpler as doing the same things every day in the same way requires less energy and thought compared with irregular sleeping rhythm and unplanned meals. But when flow comes into the picture and starts bossing around, me and my partner are somewhat different.

We both experience flow more or less regularly, and for me, interrupting my flow state when lunch hour is coming closer is no problem. I can stop writing then and there, maybe finish off the sentence but then save the thing and put my laptop to sleep. For my partner, however, nothing else seems to matter when he deep-dives into his thought processes and writing.

From time to time, this leads to conflicts. Most often, it’s me asking him to interrupt his flow for the sake of lunch, dinner, bedtime or any other routine we have – and it isn’t always with a happy agreement he stops writing.

But how to deal with this kind of issue? Is it completely wrong of me to ask someone to interrupt his or her flow in order to do something quite mundane? Isn’t flow like something sacred, something to value and appreciate and, most of all, not interrupt when it decides to pay a visit?

Or how are we supposed to work with the flow?

Many Can’t Afford It

Many dream of it, many seek for it – the mysterious feeling where time disappears and magic is created. But there aren’t too many who can afford to wait around for flow or for the inspiration to strike in order to work on their craft. There are of course some, but may it be painting, writing, composing or crafting, most creatives rely on every-day routines to get their work done. They learn to work with flow or without it.

For instance, in The War of Art Pressfield writes about Somerset Maugham who told a curious someone, that ”I write only when inspiration strikes. Fortunately it strikes every morning at nine o’clock sharp.” And Daily Rituals by Mason Currey showed that most creatives in this world have relied on routines to get their work done.

But all who have experienced flow know that it is so much more wonderful to produce words, music or works of art when one is completely absorbed by the moment rather than relying on the everyday habit of working. Creating that comes as a result of a habit can be extremely painful at times, even forced and awful – wouldn’t one opt for creating in the state of flow rather than according the constructed routine?

And therefore, when the flow embraces us, should we for once forget about everything else and let it take over completely? For once, create in the happy, magical state of concentration where the words flow like a river and every brush of paint is perfect?

Or should we treat flow with a cold hand and say, ”Hey, you’re not here most of the time. Just because you decided to visit me today doesn’t mean I’m throwing all my routines away to adjust to your wishes”? Because what if we don’t embrace it and, instead, let it go – will it come back?

Can we afford not to take advantage of flow?

The Cutest Puppy

As I wrote in the beginning of the post, most of the time I have no trouble interrupting my flow to follow my regular routine. When I become fully focused on creating worlds and stories, I can enjoy it while it lasts and then break free from it when needed.

What I’ve noticed is that although I break free from it, the flow state comes back when the circumstances are right. For me, that is usually the moment when I have a few hours of unplanned time in front of me, there’s nothing on my to-do list and I get to return writing an enjoyable story.

So, for me flow is like a muscle, something one can train and work on in order to become better at reaching that state. Therefore, I don’t see flow as anything sacred, anything too special that one needs to discard everything when it appears.

I’d even like to think of flow as a cute little puppy you take home with you. It’s adorable, you love it and embrace it and its funny ways – but if you don’t stay in control and teach the puppy to behave from day one, it will chew your cables and furniture when you aren’t paying attention.

The flow is something greater than good, something to strive towards and embrace when it comes to you, but at the same time it shouldn’t be greeted with overly open arms. For me, it feels important to stay in control of the flow, to be able to embrace it but also to push it away when needed, in order to not feel empty when it leaves you again. Because flow is fickle and you can never really be sure when it decides to pay you a visit. Therefore, maybe one should live as if there was no flow and be pleasantly surprised when it does visit one’s creative mind?

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What are your thoughts on flow and how to deal with it?

 

Writing In Good Company

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I’ve been quite cautious about my book project. For the past year, when someone has asked me how I am or what I’ve been up to, I’ve just told them about my thesis or, well, not told them much more than ”I’m fine, how have you been?”

There’s only a handful of people out there who know about Yellow Tails (if you don’t count Instagram and this blog, of course). You might wonder why I’ve kept quiet about it, and the answer is this: I believe in the idea of silent success.

Many people announce their 30-day detox from social media or from candy or from alcohol to their friends and family in order to keep them to their word. The silent success, however, is about starting, executing and finishing a project in silence, and telling about it first when you’re done.

There are at least two good things about keeping your success to yourself: 1) the pressure and expectations comes from you, and you only, and 2) you do not have to deal with the people who have difficulties being happy for other people’s happiness and development (something I have first hand experience on, unfortunately).

But silent success wasn’t precisely what I wanted to talk about today. Rather, I’d like to write about the opposite. Being successful – and telling about it.

(But only to a few)

The Happiness of Telling

Last Tuesday, a friend of mine called me. The last time we talked was a few years ago but in a few weeks we’ll actually be working together which why she called to ask a few questions about the up-coming work week. But those questions took only a few minutes. After that she asked how I was doing, what I had been up to for the past months. I told her about the thesis – and I told her I had written a book I was now editing.

And she was so excited for me!

The best part was that she told me she’s also a writer, that she’s been writing for years, but that it’s been only a thing, not a career or anything. For me, it didn’t matter. I was simply filled with some sort of calm happiness for knowing that I had a writing friend in the same city. We had a fun conversation comparing our writing routines and how we plot or not our stories.

It really is true that writing is a lonely job and that friends who write are golden. But I don’t think one realizes it before finding a true writing friend. For me, it happened last Tuesday, and I noticed how much I’ve desired for one.

Searching for Community

After I decided to take a longer break from Instagram, which was a few months ago, it’s been quiet on the writing community side of my life. On Instagram, there were so many writers, aspiring authors and writing coaches who were there every day to cheer you on and share the happiness and pain of being a writer. But as I’m not there anymore, I haven’t really been cheered on by so many.

However, as I’m not very excited about going back to Instagram and everything it entails, I’ve been thinking about what other options I have. A writing group? A writing forum? A writing course or an entire education?

I write this blog in English and write my Master’s thesis in Swedish. However, Finnish, which is my mother tongue, is the language I write my journal in and also, my fiction. Therefore, as I’m thinking about my options, I’m restricted by my language.

Finland is a small country with only 5.5 million people. This means, at least when compared to many other countries, that there are even less writing people and that the likelihood of me finding them is, well, small. Plus, that I have no idea where to start looking if I wish to hold on to my principle of silent success.

At the moment, attending a writing course or enrolling in University for another degree, this time in creative writing, isn’t an option. I’m busy with finishing my current degree and after that I have other plans.

That leaves me with writing forums. But I’ve been reluctant to return.

Considering a Comeback

There’s nothing wrong with writing forums – it’s just that I haven’t been on one since 2011 and hadn’t thought about going back. At the time, I wrote mostly fan fiction and was all about writing love stories between Hermione Granger and Draco Malfoy, Susan Bones and Terry Boot, and Lily and James Potter. Today, however, I’m not returning too eagerly to fan fiction because it feels like I’ve outgrown it. Therefore, I didn’t even think I’d have any business on those forums again.

But the call from my friend had a curious timing. Her excitement, encouragement and support for my book project gave me a boost of energy and motivation, something I didn’t experience getting from Instagram. This made me think that maybe I could return to those good old forums – but publish something original instead.

As I’ve noticed a longing for a Finnish-speaking writing group, this thought seemed to get wings the moment I decided to give it some actual thought. Ten years ago, when I was publishing at least one story per week on these forums, I got a good deal of feedback and cheers from fellow Finnish writers. But today, as I’ve been writing Yellow Tails by myself without publishing it anywhere or having anyone read it (yet), I don’t know how other people see and feel about my writing. It could do me good to write something shorter, try out different styles and in that way, develop my writing skills.

I haven’t done a comeback yet. But I did go and check if my old username still worked – it did. So maybe I’ll start drafting something in the coming weeks. Nothing too big, no full-length novels, but maybe a short one, something like the Still Life Sundays I’ve been publishing here, and see where it takes me.

After all, I’d guess a writer never turns down some feedback and writerly support from other writers?

***

Where do you publish your writing?

Lessons With Murakami

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Some nine years ago I walked into a book store that had a sale on all sorts of books. That was still a time when I purchased books in the spur of the moment: if the title, synopsis and the writing style agreed with me (checked by reading a paragraph or two), I’d buy the book. That day I left the store with two books: one was a classic and the other one was a memoir – a genre I’m not very familiar with.

The memoir was Haruki Murakami’s What I Talk About When I Talk About Running. A thin book, 180 pages, published in 2008. The back cover promised personal essays on running, a sort of memoir written by the famous Japanese author.

At the time, I was desperately trying to find ways to integrate sports into my life and thought that maybe this book could inspire me to make running into a habit. So, I bought it. I hadn’t read Murakami before, but this felt like a simple, nice way to get to know him and his style of writing.

However, it wasn’t until this year, 2019, that I actually managed to read and finish that book. Funny enough, soon after purchasing the book a friend of mine asked if her friend could borrow it because he was writing a book essay about Murakami. I borrowed it as I hadn’t started reading it yet, with a promise to get it back in a few months.

I did get it back in a few months – nine years later. Because two months ago, I saw my friend again and got the book back.

I did get it back – and the timing was perfect.

The Ideal Timing

I don’t know if you know this – but you know how sometimes you read a book and think this was the perfect time to read this book? It could be the theme of the book that feels relevant to you at the moment, or maybe the hero of the story is pondering the same things that you are.

The book might have been waiting in your pile of books to be read but you just never got into reading it. But then something happens, you pick up that book again and boom – it’s a match, the mind is ready for the content because the timing is perfect.

What I Talk About When I Talk About Running was that kind of match.

It’s a short book with nine journal-like entries that Murakami wrote under the course of one year when he trains for one of his many marathons. In these essays, the author reflects on his journey as a runner – but also as a writer. Originally, I purchased the book because I wanted to find the motivation to run. However, as I read it now, nine years later, the book gave me new thoughts and perspectives on writing, not running.

Metaphors and Thoughts

Although the book is short, it’s nothing to binge on. The essays are not fictitious but based on Murakami’s life experiences and thoughts on these experiences, that fill the chapters with some sort of lessons on life. Taking these life lessons in and thinking about them takes time, and therefore I read one chapter here and one chapter there – twenty pages or so at a time.

The book is for the most part about running although Murakami does share some of his thoughts on writing as well. For instance, he describes the moment when he decided to write his first book (he was in the bleachers of Jingu Stadium watching a baseball game when the thought came to him) and the process of becoming a full-time writer.

But although most of the essays focus on him training for a marathon or a triathlon, many of his thoughts on running can be turned into metaphors about writing. One of these thoughts / metaphors is about consistency when it comes to training. Murakami writes:

”The total amount of running I’m doing might be going down, but at least I’m following one of my basic rules for training: I never take two days off in a row. Muscles are like work animals that are quick on the uptake. If you carefully increase the load, step by step, they learn to take it.

– –

If, however, the load halts for a few days, the muscles automatically assume they don’t have to work that hard anymore, and they lower their limits. Muscles really are like animals, and they want to take it as easy as possible: if pressure isn’t applied to them, they relax and cancel out the memory of all that work.” (p. 71)

When it comes to training and running, this excerpt presents a cold, hard and true fact. But it applies to writing as well: creativity is a muscle that needs constant training to produce desirable results. And when improving one’s craft, consistency is a key. During a typical week, I don’t take more than a day off from writing – and that is why it never gets too hard to sit down and get my writing done. It’s a process similar to Murakami’s marathon training, only for me, it’s about sitting on my butt in front of my computer.

Three Lessons I Took With Me

There are three things in What I Talk About What I Talk About Running that resonated with me particularly well:

1. ”Pain is inevitable, suffering is optional”

In the foreword, Murakami tells about an article he read where famous marathon runners revealed what special mantra goes through their heads while they run. One of them was ”Pain is inevitable. Suffering is optional.” which means you have very little control over the hurt part of running, but it’s up to you to choose how much you wallow in it, how much pain you can take.

Writing can be seen as a marathon race, as well. It’s a process with as many feelings, emotional ups and downs, as during a 26.2 mile / 42,195 km run. Creating a novel from the first draft to being published contains inevitably some pain but how much you decide to invest thoughts and feelings in that pain is up to you.

2. Three most important qualities of a novelist: talent, focus and endurance.

This is something I hope to get back to later on this blog. Although I don’t fully agree with Murakami here, he does have a point. Talent is needed, some sort of knack or gift for the craft (although – what is talent, really?), to get good at producing quality.But talent is a fickle thing and isn’t really under our control – and this is where focus and endurance come into play. The ability to concentrate helps you to utilize that limited talent of yours, and endurance is what keeps you going and helps you finish those projects.

3. Sometimes taking time is actually a shortcut.

 

Taking time to ”stubbornly, rigorously, and very patiently tighten all the screws of each individual part” (p. 161), that is, to practice and improve ones craft day after day, piece by piece, can pay off big time.

Say that you’re editing a novel and want to make it better but don’t know how. You start a time-consuming project: you start by reading about plotting and structuring a story, then you move on to storytelling and how to write fluent dialogue. After that comes creating authentic characters and tweaking the details, creating an as-perfect-as-possible manuscript.

Reading all these things and applying them to your writing can take a huge chunk of your time and feel ridiculous, time-consuming, like nitpicking. Why do this, why invest all this time in learning details – why not just try rewriting the whole story instead? At least you would be writing.

But suddenly, the parts fall into place and you understand how all the small details create a bigger, well-functioning picture. You end up improving your craft by taking all that time to learn.

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Have you read What I Talk About When I Talk About Running? What in it resonated with you?